All GOYEN, Jan van's oil paintings
ID Image  Oil Pantings, Sorted from A to Z     Other Information
6976  
GOYEN, Jan van, Beach at Scheveningen df
  		Beach at Scheveningen df 1646 Oil on canvas, 92,1 x 108 cm Thyssen-Bornemisza Collection, Madrid
6966  
GOYEN, Jan van, Dunes sdf
  		Dunes sdf 1629 Oil on wood Staatliche Museen, Berlin
6978  
GOYEN, Jan van, Haarlemer Meer dg
  		Haarlemer Meer dg 1656 Oil on canvas., 39 x 54 cm Städelsches Kunstinstitut, Frankfurt
6967  
GOYEN, Jan van, Haymaking dg
  		Haymaking dg 1630 Oil on wood, 31,5 x 50,5 cm Pushkin Museum, Moscow
6977  
GOYEN, Jan van, Horse Cart on a Bridge sg
  		Horse Cart on a Bridge sg 1648 Oil on wood, 37 x 66 cm Alte Pinakothek, Munich
6968  
GOYEN, Jan van, Landscape with Dunes dxg
  		Landscape with Dunes dxg 1630-35 Oil on panel, 54 x 37,5 cm Kunsthistorisches Museum, Vienna
6969  
GOYEN, Jan van, Marine Landscape with Fishermen fu
  		Marine Landscape with Fishermen fu Oil on wood, 36,1 x 32,2 cm Museum of Fine Arts, Budapest
6970  
GOYEN, Jan van, Peasant Huts with a Sweep Well sdg
  		Peasant Huts with a Sweep Well sdg 1633 Oil on oak, 55 x 80 cm Gemäldegalerie, Dresden
6971  
GOYEN, Jan van, River Landscape with a Windmill and a Ruined Castle sdg
  		River Landscape with a Windmill and a Ruined Castle sdg 1644 Oil on canvas, 97 x 133 cm Mus??e du Louvre, Paris
6980  
GOYEN, Jan van, Seashore at Scheveningen dg
  		Seashore at Scheveningen dg 1645 Oil on wood, 53 x 71 cm The Hermitage, St. Petersburg
6982  
GOYEN, Jan van, View of Dordrecht dg
  		View of Dordrecht dg 1644-53 Oil on canvas, 97 x 148 cm Mus??es Royaux des Beaux-Arts, Brussels
6984  
GOYEN, Jan van, View of Dordrecht from the Oude Maas sdg
  		View of Dordrecht from the Oude Maas sdg 1644 Oil on canvas, 103,5 x 133,5 cm Kunsthistorisches Museum, Vienna
6972  
GOYEN, Jan van, View of Leiden cdfh
  		View of Leiden cdfh 1643 Oil on wood, 39,8 x 59,9 cm Alte Pinakothek, Munich
6983  
GOYEN, Jan van, View of Leiden dg
  		View of Leiden dg 1650 Oil on canvas Stedelijk Museum De Lakenhal, Leiden
6981  
GOYEN, Jan van, View of The Hague in Winter dg
  		View of The Hague in Winter dg 1645 Oil on panel, 52 x 70 cm The Hermitage, St. Petersburg
6974  
GOYEN, Jan van, View of the Merwede before Dordrecht sdg
  		View of the Merwede before Dordrecht sdg Oil on wood Rijksmuseum, Amsterdam
6975  
GOYEN, Jan van, Village at the River sg
  		Village at the River sg 1636 Wood, 39,5 x 60 cm Alte Pinakothek, Munich
6986  
GOYEN, Jan van, Windmill by a River fg
  		Windmill by a River fg 1642 Oil on panel, 29,4 x 36,3 cm National Gallery, London
64697  
GOYEN, Jan van, Winter
  		Winter 1645 Oil on panel, 52 x 70 cm The Hermitage, St. Petersburg *** Keywords: ************* Author: GOYEN, Jan van Title: Winter, 1601-1650, Dutch , painting , landscape
6987  
GOYEN, Jan van, Winter dgh
  		Winter dgh 1645 Oil on panel, 52 x 70 cm The Hermitage, St. Petersburg
6985  
GOYEN, Jan van, Winter on the River dg
  		Winter on the River dg Oil on wood Gemäldegalerie, Dresden
GOYEN, Jan van
Dutch Baroque Era Painter, 1596-1656 Jan van Goyen was born in Leiden on Jan. 13, 1596. Apprenticed from the age of 10, he had several masters. About 1617 he went to Haarlem to study with Esaias van de Velde, an important innovator in the Haarlem movement of realistic landscape painting. Van Goyen's works between 1621 and 1625 are sometimes hard to distinguish from those of his teacher. They are colorful, detailed views of villages and roads, usually busy with people, as in Winter (1621). It was Van Goyen's usual practice to sign or monogram and date his paintings. He traveled extensively through the Netherlands and beyond, recording his impressions in sketchbooks, occasionally with dates and often depicting recognizable scenes. Thus the chronology of his development is clear. His paintings of the late 1620s show a steady advance from the strong colors and scattered organization of his early works toward tonality and greater simplicity and unity of composition. By 1630 he was painting monochromes in golden brown or pale green; he played a leading part in the tonal phase of Dutch landscape painting. In 1631 Van Goyen settled in The Hague, where he became a citizen in 1634. The simplicity, airiness, and unification of his compositions continued to increase in his abundant production of dune landscapes, river views, seascapes, town views, and winter landscapes. The River View (1636) displays a river so open and extensive as to suggest the sea, with reflections that prolong the vast and luminous sky. In its monumentalization of humble structures and its composition built on a firm scaffolding of horizontal and vertical forces, it forecast at this early date developments that dominated landscape painting in the 1650s and later. In the Village and Dunes (1647) the traditional double-diagonal composition still exists, but it is dominated by horizontal and vertical accents. Stronger contrasts of light and dark replace the earlier tonality. In the last year of his life Van Goyen produced an eloquent new style, in which powerful forms stand out against the radiant sky and water in an exquisitely balanced composition (Evening Calm; 1656). The commission in 1651 to paint a panoramic view of The Hague for the Burgomaster's Room shows the high regard in which Van Goyen was held. He was enormously productive; well over 1,000 of his paintings still exist, and almost as many drawings. Yet he died insolvent, perhaps because of losses in his various business ventures, and soon after his death on April 27, 1656,



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